35 YEARS IN THE MAKING: THE MOST ANTICIPATED GRAPHIC NOVEL IN RECENT HISTORY
*A GUARDIAN 'BOOKS OF 2021' PICK*
The year is 1964.
Bailey doesn't realize he is about to fulfil his tragic destiny when he walks into a US Army recruitment office. Secretive, damaged, innocent, trying to forget a past and looking for a future, Bobby is the perfect candidate for a secret US government experiment, an unholy continuation of a genetics program that was discovered in Nazi Germany nearly 20 years earlier in the waning days of World War II. Bailey's only ally and protector, Sergeant McFarland, intervenes, which sets off a chain of cascading events that spin out of everyone's control. As the monsters of the title multiply, becoming real and metaphorical, the story reaches a crescendo of moral reckoning.
A 360-page tour de force of visual storytelling, Monsters' narrative canvas is copious: part familial drama, part thriller, part metaphysical journey, it is an intimate portrait of individuals struggling to reclaim their lives and an epic political odyssey that plays across two generations of American history.
Monsters is rendered in Barry Windsor-Smith's impeccable pen-and-ink technique, the visual storytelling, with its sensitivity to gesture and composition, the most sophisticated of the artist's career. There are passages of heartbreaking tenderness, of excruciating pain, of redemption and sacrifice, and devastating violence. Monsters is surely one of the most intense graphic novels ever drawn.
Two extraordinary personalities, and one remarkable friendship, are reflected in the unique corpus of letters from Anglo-Parsi composer-critic Kaikhosru Sorabji (1892-1988) to Philip Heseltine (Peter Warlock) (1894-1930): a fascinating primary source for the period 1913-1922 available in a complete scholarly edition for the first time.
The volume also provides a new contextual, critical and interpretative framework, incorporating a myriad of perspectives: identities, social geographies, style construction, and mutual interests and influences. Pertinent period documents, including evidence of Heseltine's reactions, enhance the sense of narrative and expand on aesthetic discussions. Through the letters' entertaining and perceptive lens, Sorabji's early life and compositions are vividly illuminated and Heseltine's own intriguing life and work recontextualised. What emerges takes us beyond tropes of otherness and eccentricity to reveal a persona and a narrative with great relevance to modern-day debates on canonicity and identity, especially the nexus of ethnicity, queer identities and Western art music.
Scholars, performers and admirers of early twentieth-century music in Britain, and beyond, will find this a valuable addition to the literature. The book will appeal to those studying or interested in early musical modernism and its reception; cultural life in London around and after the First World War; music, nationality and race; Commonwealth studies; and music and sexuality.
The virtually universal popularity of caffeine, together with concerns about its potential pathogenic effects, have made it one of the most extensively studied drugs in history. However, despite the massive scientific literature on this important substance, most reviews have either focused on limited areas of study or been produced in popular form by individuals with surprisingly little relevant scientific background.
Caffeine and Activation Theory: Effects on Health and Behavior brings together the leading experts from seven different countries to provide researchers and clinicians with the most comprehensive and balanced review of the scientific literature on the effects of caffeine found anywhere. It devotes unprecedented coverage to the impact of caffeine on cardiovascular functioning and pathology, details the pharmacological properties and neurophysiological effects of the drug, and thoroughly reviews literature concerned with the role of this powerful stimulant in mood, task performance, and psychopathology. This important new book is also the first source to provide an integrative scientific treatment of the effects of caffeine consumption on menstrual endocrinology and pathology, as well as on reproduction. Rounding out the coverage is a thorough review of emerging research on the possible benefits of caffeine and catechins in green and black teas.
The highly integrative final chapter provides a clear understanding of what is known about the effects of caffeine, identifies specific areas in which further research is needed, and provides important methodological guidelines that promise to optimize future research endeavors. Filling the need for a current comprehensive resource, this volume provides extensive reviews of the major bodies of literature on caffeine, stimulates and guides future research, and provides clinicians with the information they need to understand, diagnose, and treat the effects of caffeine consumption in their pati
This book explores how young people's participation can be inclusively and sustainably embedded into health services. Using rich case studies of participation in practice, Brady presents a new evidence-based framework to support policymakers and practitioners to embed young people's participation more effectively in healthcare practice.
Brentano's Four Phases of Philosophy, first published in 1895 and here translated into English for the first time, presents a dramatic account of the history of philosophy in terms of a succession of cycles of renewal and decline. Phases of renewal are associated with the rediscovery of science, of empiricism, of rigour and clarity. Phases of decline are associated with competing schools and sects, with mysticism and obfuscation, and with relativisms and idealisms of various sorts. Each final phase of decline, with its ultimate collapse into nonsense, gives rise to the call for a new phase of renewal, and Aristotle, in Brentano's eyes, represents the ideal type of this renewal phase of philosophy. Brentano exploits his cyclical theory to provide a guiding path through the history of Western philosophy from the beginnings in the Presocratics to what was from his perspective the final phase of decline in the work of Kant and the German idealists. In an extensive introduction, Balasz Mezei and Barry Smith present a detailed account of Brentano's method in the history of philosophy. They demonstrate its roots in the work of August Comte, and compare it to other methodologies in the historiography of philosophy, including that of Kant. Most interestingly, however, they seek to bring up to date Brentano's account of the cycles of renewal and decline in the history of philosophy. They show how Brentano's method can be applied to the histories of twentieth-century analytic and Continental philosophy, from their auspicious beginnings in the work of Frege and Husserl (and Brentano) himself to their ultimate decline in the work of Rorty, Levinas and Derrida.
A groundbreaking comparison of two titans of American art
Winslow Homer (1836-1910) and Frederic Remington (1861-1909) represent a distinct artistic strain of the American mythos: both were celebrated in their day as homegrown, self-taught artists whose work offered a vision of American identity rooted in self-reliance, vigor, and a deep connection to the outdoors. This groundbreaking book is the first to consider the two artists together, revealing unexpected resonances between their artistic themes, careers, techniques, and lives. The publication highlights their formative years as war correspondents, their portrayals of adventure and masculinity, and their bold experimentation with different media.
These pages showcase seventy-eight illustrations, paintings, sculptures, and watercolors by Homer and Remington-a number of which rank among the great works of American art. Four essays address the surprising similarities and shared experiences between the two contemporaries, and a fifth essay on their techniques, the first of its kind, illuminates their creative practices. An extensive chronology traces the artists' careers and lifetimes, and, finally, an introduction by critic Adam Gopnik situates them within the long, empirical tradition in American art, observing that "seeing them together, we see the shape of our own self-making and, with it, the enduring wisdom of our own self-doubt."
Agricultural Policy in Disarray provides fascinating, detailed, and contemporary evidence of how rent-seeking by small, well-organized interest groups results in government policies that do little good and much harm.