Dramaturge, poétesse, écrivaine, Bernardine Evaristo est née de l'union décriée d'une institutrice anglaise et d'un ouvrier nigérian. Dès son enfance, elle a ressenti dans sa chair ce que signifiaient le racisme ou les inégalités de classe et de genre qui seront à l'origine de tous ses combats.
En partageant ses expériences intimes et son engagement littéraire, elle invite à une réflexion libre et rebelle sur des questions fondamentales telles que le féminisme, la sexualité, le militantisme, le communautarisme ou l'âgisme. Celle qui n'a jamais cessé de questionner les normes et la pensée dominante nous offre dans Manifesto un voyage tumultueux et trépidant dans cette quête qui fut la sienne pour devenir une femme puissante et nous encourager à ne jamais abandonner.
It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother''s coffin as the world watched in sorrow - and horror. As Diana, Princess of Wales, was laid to rest, billions wondered what the princes must be thinking and feeling - and how their lives would play out from that point on. For Harry, this is that story at last. With its raw, unflinching honesty, Spare is a landmark publication full of insight, revelation, self-examination, and hard-won wisdom about the eternal power of love over grief. Prince Harry wishes to support British charities with donations from his proceeds from Spare . The Duke of Sussex has donated $1,500,000 to Sentebale, an organisation he founded with Prince Seeiso in their mothers'' legacies, which supports vulnerable children and young people in Lesotho and Botswana affected by HIV/AIDS. Prince Harry will also donate to the non-profit organisation WellChild in the amount of £300,000. WellChild, which he has been Royal patron of for fifteen years, makes it possible for children and young people with complex health needs to be cared for at home instead of hospital, wherever possible.
Gay, noir, américain : on a toutes les chances de se tromper en définissant ainsi Hilton Als. Car, en dépit de leur exactitude, l'auteur de White Girls n'a de cesse d'interroger la pertinence de ces catégories censées fonder une identité. Mêlant récits autobiographiques, fiction, critique littéraire, musicale et artistique, les essais qui composent ce livre tracent les contours d'un imaginaire collectif dont l'idéal serait la « fille blanche ».
Truman Capote, Michael Jackson, Flannery O'Connor, André Leon Talley, Basquiat, ou encore la mère de Malcolm X, sont autant de white girls radiographiées par le regard de cet écrivain sensible et impitoyable qui se reconnaît pour seuls maîtres Proust, Joan Didion et James Baldwin.
THE NO. 1 BESTSELLERbr>br>BRITISH BOOK AWARDS, NON-FICTION BOOK OF THE YEARbr>br>THE SUNDAY TIMES, MEMOIR OF THE YEARbr>br>BOOKS OF THE YEAR: THE TIMES, OBSERVER, GUARDIAN, EVENING STANDARDbr>br>Now in paperback featuring a new introduction by Michelle Obama, a letter from the author to her younger self, and a book club guide with 20 discussion questions and a 5-question Q&A, the intimate, powerful, and inspiring memoir by the former First Lady of the United Statesbr>br>In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her -- from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world''s most famous address. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it -- in her own words and on her own terms.br>br>Warm, wise, and revelatory, Becoming is the deeply personal reckoning of a woman of soul and substance who has steadily defied expectations -- and whose story inspires us to do the same.>
'Unmissable . Like chancing upon an oasis, you want to drink it slowly... Subtle, unpredictable, surprising' Guardian Things I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood. Taking George Orwell's famous essay, 'Why I Write', as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers. 'Superb sharpness and originality of imagination. An inspiring work of writing' Marina Warner
From the twice-Man Booker Prize-shortlisted author of Hot Milk and Swimming Home : Dazzling, essential, entirely unlike anything else -- a memoir on modern womanhood, rejecting oppressive social expectations and turning instead towards a thrilling, transformative freedom What does it mean to be free - as an artist, a woman, a mother or daughter? And what is the price of that freedom? In this dazzling memoir, Deborah Levy confronts the essential questions of modern womanhood with humour, pragmatism, and profoundly resonant wisdom. Reflecting on the period when she wrote the Man Booker Prize-shortlisted Hot Milk - when her mother was dying, her daughters were leaving home, her marriage was coming to an end - she is characteristically eloquent on the social expectations and surreal realities of daily life. And expanding far beyond these bounds, she describes a uniquely frank, wise and thrilling manifesto for female experience: embracing the exhilarating terror of freedom, seeking to understand what that freedom could mean and how it might feel.
Twelve early pieces never before collected that offer an illuminating glimpse into the mind and process of Joan Didion.
Mostly drawn from the earliest part of her astonishing five-decade career, the wide-ranging pieces in this collection include Didion writing about a Gamblers Anonymous meeting, a visit to San Simeon, and a reunion of WWII veterans in Las Vegas, and about topics ranging from Nancy Reagan to Robert Mapplethorpe to Martha Stewart.
Here are subjects Didion has long written about - the press, politics, California robber baronsac, women, the act of writing, and her own self-doubt. Each piece is classic Didion: incisive and, in new light, stunningly prescient.
Née en 1926, mariée en 1947, couronnée reine en 1953, Sa Majesté Elizabeth II s'est pleinement consacrée à ses devoirs pendant plus de soixante ans. TASCHEN rend hommage à son destin remarquable avec cette réédition de Her Majesty, une fabuleuse histoire en photos de sa vie privée et publique.
Mêlant tradition, histoire, élégance et culture, l'album retrace la vie de la souveraine, jusqu'à son décès en 2022: son enfance et sa jeunesse, sa courageuse entrée dans l'âge adulte pendant la Seconde Guerre mondiale, son mariage, la maternité et le couronnement, ses rencontres avec des icônes de leur temps comme les Beatles, Marilyn Monroe et JFK et ses très nombreux périples à l'étranger. Il visite aussi les spectaculaires palais royaux et cède à la liesse contagieuse des mariages et jubilés royaux, et oscille entre l'imposante élégance des portraits officiels et la tendresse et l'humour qui se dégagent de moments plus intimes, en famille.
Hommage aux meilleurs photographes de son temps tout autant qu'à leur royal sujet, Her Majesty rassemble les clichés de sommités comme Cecil Beaton, Studio Lisa, Dorothy Wilding, Karsh, Lord Snowdon, David Bailey, Patrick Lichfield, Annie Leibovitz et bien d'autres.
From one of America's iconic writers, a portrait of a marriage and a life -- in good times and bad -- that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion.
Three bicycles. Seven ghosts. A crumbling apartment block on the hill. Fame. Tenderness. The statue of Peter Pan. Silk. Melancholy. The banana tree. A Pandemic. A love story.''br>br>br>From one of the great thinkers and writers of our time, comes the highly anticipated final instalment in Deborah Levy''s critically acclaimed ''Living Autobiography''br>br>br>''I can''t think of any writer aside from Virginia Woolf who writes better about what it is to be a woman'' Observer on The Cost of Livingbr>br>br>Following the international critical acclaim of The Cost of Living, this final volume of Deborah Levy''s ''Living Autobiography'' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it.br>br>br>''I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it - but we must also knock it down.'' br>br>br>''Wise, subtle and ironic, Levy''s every sentence is a masterpiece of clarity and poise... A brilliant writer'' Daily Telegraph on The Cost of Livingbr>br>br>''Extraordinary and beautiful, suffused with wit and razor-sharp insights'' Financial Times on The Cost of Living>
A personal and powerful essay on loss from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun .
''Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language'' On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria.
In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy''s girl, remembers her beloved father. Notes on Grief is at once a tribute to a long life of grace and wisdom, the story of a daughter''s fierce love for a parent, and a revealing examination of the layers of loss and the nature of grief.
A devastating essay on loss and the people we love from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun .
''Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language'' On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria.
In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy''s girl, remembers her beloved father. Notes on Grief is at once a tribute to a long life of grace and wisdom, the story of a daughter''s fierce love for a parent, and a revealing examination of the layers of loss and the nature of grief.
THE NO. 2 NEW YORK TIMES BESTSELLER From the indie rockstar Japanese Breakfast, an unflinching, powerful, deeply moving memoir about growing up mixed-race, Korean food, losing her Korean mother, and forging her own identity. In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humour and heart, she tells of growing up the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother''s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother''s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the east coast for college, finding work in the restaurant industry, performing gigs with her fledgling band - and meeting the man who would become her husband - her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother''s diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Michelle Zauner''s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.
A Guardian Book of the Year Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation - Olivia Laing Bluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of ''pillow book'' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief. Much like Roland Barthes''s A Lover''s Discourse , Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.
Ce livre constitue la biographie de référence sur Eileen Gray, l'une des premières femmes à atteindre la célébrité dans un monde du design alors largement dominé par les hommes. Le texte rédigé par Peter Adam, ami intime de Eileen Gray, fait ici l'objet d'une nouvelle traduction française et d'une mise à jour.
Unique .... Lebowitz offers vocational guides for aspiring heiresses, popes, empresses; manuals for landlords; guidance to the rich who wish to meet the poor>
Born in 1940, Annie Ernaux grew up in Normandy, studied at Rouen University, and later taught at secondary school. From 1977 to 2000, she was a professor at the Centre National d'Enseignement par Correspondance. Her books, in particular
THE NUMBER ONE SUNDAY TIMES AND NEW YORK TIMES BESTSELLER 'A book that blazes, glitters and cuts to the heart of who we are. I'm not sure that a book can do much more' SUNDAY TIMES 'The kind of bold, timely, once-in-a-generation book that every house should have a copy of, and probably will before too long' NEW STATESMAN 'I will probably re-read it every year of my life' CAITLIN MORAN 'As unputdownable as the most page-turning fiction' JOJO MOYES 'Gripping, powerful and enraging' DAVID NICHOLLS 'The book every man should read' ESQUIRE All Lina wanted was to be desired. How did she end up in a marriage with two children and a husband who wouldn't touch her?
All Maggie wanted was to be understood. How did she end up in a relationship with her teacher and then in court, a hated pariah in her small town?
All Sloane wanted was to be admired. How did she end up a sexual object of men, including her husband, who liked to watch her have sex with other men and women?
Three Women , which was nearly a decade in the making, is a staggering work of non-fiction for our times.
A vital new non-fiction collection from one of the most celebrated and revered writers of our time. A Mouth Full of Blood is a powerful, erudite and essential gathering of ideas that speaks to us all.
Joan Didion''s savage masterpiece, which, since first publication in 1968, has been acknowledged as an unparalleled report on the state of America during the upheaval of the Sixties Revolution. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were In her non-fiction work, Joan Didion not only describes the subject at hand - her younger self loving and leaving New York, the murderous housewife, the little girl trailing the rock group, the millionaire bunkered in his mansion - but also offers a broader vision of the world, one that is both terrifying and tender, ominous and uniquely her own.
Joan Didion''s hugely influential collection of essays which defines, for many, the America which rose from the ashes of the Sixties. We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea. In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Janis Joplin and buys dresses with Charles Manson''s girls. She and her reader emerge, cauterized, from this devastating tour of that age of self discovery into the harsh light of the morning after.
