A comprehensive anthology gathers classic short stories by such authors as Ernest Hemingway, Edgar Allan Poe, O. Henry, Rudyard Kipling, John Steinbeck, Aldous Huxley, and Anton Chekhov, among other notables. Reissue.
A family sets out on a road trip in the American South. The grandmother suggests they change course in order to avoid "The Misfit", an escaped convict who's reportedly heading towards Florida. But when their car turns over in a ditch, who should they flag down for help but the very man whose picture they recognise from the paper . . . Flannery O'Connor's famous fifties story evokes heat and dust, family and feuding, God and grace - and is utterly uncompromising in its brutality.
The short story is one of the most varied and exciting genres in American literature. This collection brings together many of its finest examples from the early nineteenth century to the present. It contains a richly diverse cast of characters, including convicts, artists, farm labourers, slaves, soldiers and salesmen, witches and ghosts, families and lovers. Their stories are told by some of America's most celebrated writers (Nathaniel Hawthorne, Edith Wharton, Raymond Carver) and a few, like Fanny Fern or Charles W. Chestnutt, who may be less familiar. The collection offers a stimulating combination of acknowledged classics, including Mark Twain's hilarious 'Jim Smiley's Jumping Frog' and Edgar Allan Poe's chilling 'The Tell-Tale Heart', and some remarkable pieces that deserve a wider audience, such as Ernest Hemingway's story of miscommunication, 'Out of Season', or Lorrie Moore's tale of modern love and wit, 'Starving Again'. Kasia Boddy's introduction traces the history of the American short story and explores the changes and continuities in its forms and preoccupations. This edition also contains a chronology, explanatory and biographical notes and suggestions for further reading. Table of contents Washington Irving - The Little Man in Black (1807) Nathaniel Hawthorne - Young Goodman Brown (1835) Edgar Allan Poe - The Tell-Tale Heart (1843) Fanny Fern - Aunt Hetty on Matrimony (1851) Mark Twain - Jim Smiley and His Jumping Frog (1865) Joel Chandler Harris - The Tar Baby Story (1880) Mary Wilkins Freeman - Two Friends (1887) Charles W. Chesnutt - The Wife of his Youth (1898) Henry James - The Real Right Thing (1899) Stephen Crane - An Episode of War (1899) O. Henry - Hearts and Hands (1903) Sherwood Anderson - The Untold Lie (1917) Ernest HemingwayOut of Season (1923) Edith Wharton - Atrophy (1927) Dorothy Parker - New York to Detroit (1928) Eudora Welty - The Whistle (1938) William Faulkner - Barn Burning (1939) F. Scott Fitzgerald - The Lost Decade (1939) Zora Neale Hurston - Now You Cookin' with Gas (1942) Bernard Malamud - The First Seven Years (1950) Flannery O'Connor - A Late Encounter with the Enemy (1953) John Updike - Sunday Teasing (1956) John Cheever - Reunion (1962) Grace Paley - Wants (1971) Alice Walker - The Flowers (1973) Donald Barthelme - I Bought a Little City (1974) Raymond Carver - Collectors (1975) Richard Ford - Communist (1985) Lorrie Moore - Starving Again (1990) Jhumpa Lahiri - The Third and Final Continent (1999) Lydia Davis - The Caterpillar (2006)
'American literature and the short story might be said to have come of age at about the same time, and this, along with something in the bustling and energetic American temperament, might go some way towards explaining why the two go together as well as they do.' Twenty-one short stories from some of the best American writers over the last two hundred years provide a mesmerizing, multi-faceted portrait of a country, a people and the unique literature produced by this most exuberant of nations.
All the stories in Standing Her Ground have been chosen to celebrate the skill, the passion and achievements of women writers spanning one hundred years of innovation. Part of the Macmillan Collector''s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited by Harriet Sanders. Edith Wharton was the first woman to win a Pulitzer Prize for literature. Writer and activist Alice Dunbar Nelson was an early adopter of the Harlem Renaissance movement. Kate Chopin and Elizabeth Gaskell dared to explore themes outside the strict social codes of their times. And Virginia Woolf was hugely influential in both the feminist and modernist movements. From ''The Manchester Marriage'', in which a husband, supposedly drowned at sea, returns to find his daughter, to the two sisters who are comically adrift after the death of their domineering father in ''The Daughters of the Late Colonel'', and a young girl who enlists the help of a sorceress to win back her boyfriend in ''The Goodness of Saint Rocque'', Standing Her Ground showcases nine groundbreaking women writers.
The Harlem Renaissance was a cultural movement that saw an explosion of Black art, music and writing, yet few female creatives are remembered alongside their male counterparts. Part of the Macmillan Collector''s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Women of the Harlem Renaissance is edited by Marissa Constantinou and introduced by Professor Kate Dossett. Exploring subjects from love, loss and motherhood to jazz, passing and Jim Crow law, the poems and stories collected in this anthology celebrate the women of colour at the heart of the movement. Alice Dunbar-Nelson parades through New Orleans in ''A Carnival Jangle'' whilst Carrie Williams Clifford takes to Fifth Avenue in ''Silent Protest Parade'', and Nella Larsen seeks a mother''s protection in ''Sanctuary''. Showcasing popular authors alongside writers you might discover for the first time, this collection of daring and disruptive writing encapsulates early twentieth-century America in surprising and beautiful ways.
'The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all.' The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form.
Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today.
'Sometimes - not often - a book comes along that feels like Christmas. Philip Hensher's timely, but timeless, selection of the best short stories from the past 20 years is that kind of book. His introduction is as enriching as anything that has been published this year' Sunday Times A spectacular treasury of the best British short stories published in the last twenty years We are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories , has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day. Includes short stories by A.L. Kennedy, Tessa Hadley, Kazuo Ishiguro, Jackie Kay, Graham Swift, Jane Gardam, Ali Smith, Neil Gaiman, Martin Amis, China Mieville, Peter Hobbs, Thomas Morris, David Rose, David Szalay, Irvine Welsh, Lucy Caldwell, Rose Tremain, Helen Oyeyemi, Leone Ross, Helen Simpson, Zadie Smith, Will Self, Gerard Woodward, James Kelman, Lucy Wood, Hilary Mantel, Eley Williams, Sarah Hall, Mark Haddon and Helen Dunmore.
A major new collection of Japanese short stories, many appearing in English for the first time, with an introduction by Haruki Murakami A Penguin Classic This fantastically varied and exciting collection celebrates the art of the Japanese short story, from its origins in the nineteenth century to the remarkable practitioners writing today. Edited by acclaimed translator Jay Rubin, who has himself freshly translated some of the stories, and with an introduction by Haruki Murakami, this book is a revelation. Stories by writers already well known to English-language readers are included--like Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, and Yoshimoto--as well as many surprising new finds. From Yuko Tsushima's "Flames" to Yuten Sawanishi's "Filling Up with Sugar" to Shin'ichi Hoshi's "Shoulder-Top Secretary" to Banana Yoshimoto's "Bee Honey," The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty, and comedy.
VALERIA LUISELLI was born in Mexico City and grew up in South Korea, South Africa, and India. She is the author of two essay collections and the novels Faces in the Crowd, The Story of My Teeth, and The Lost Children Archive. The recipient of a MacArthur Genius Grant, two Los Angeles Times Book Prizes, an American Book Award, and the 2021 Dublin Literary Award, she has also been nominated twice for the National Book Critics Circle Award and three times for the Kirkus Prize. She is a National Book Foundation 5 Under 35 honoree and the recipient of a Bearing Witness Fellowship from the Art for Justice Fund. Her work has been translated into more than twenty languages.br>br> JENNY MINTON QUIGLEY is the author of a memoir, The Early Birds, and editor of the anthology Lolita in the Afterlife. She lives in West Hartford, Connecticut, with her husband, sons, and dogs.
The Golden Age of the English short story lies from its first wide acceptance in the middle of the nineteenth century until the middle of the twentieth, a period when there were a great many outlets in Britain for shorter fictions.
The Penguin Book of English Short Stories celebrates this period through some of the most widely known writers of the time. Though many of the chosen authors are more generally known for their novels, here they provide some perfect examples of much shorter work.
Each of these concise, evocative, subtle and satisfying stories is a little jewel, providing a small window into another world.
An unnamed protagonist is on holiday with her new, much-married lover, in the company of the monstrously rich. 'How long would she last? It would be uppermost in all their minds.' Each day, while the others are out at sea, she is taught to swim. Eventually, she will be expected to perform. The pressure mounts; it is only a matter of time before she snaps. Edna O'Brien crafts a quietly horrifying scene of eroticism and insecurity, and makes one woman's near-fatal discomfort stand for society's larger trap.
The sixteenth issue of The Happy Reader, the bookish bi-annual published by Penguin Classics in collaboration with Fantastic Man For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained.
The concept of the magazine is simple- the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.
The quarter century or so before the outbreak of the First World War saw an extraordinary boom in the popularity and quality of short stories in Britain. Fuelled by a large new magazine readership and vigorous competition to acquire new stories and develop the careers of some of our greatest writers, these years were ones where the normal rule-of-thumb (novels sell, short stories don''t) was inverted.This was the era of Sherlock Holmes, of Kipling''s most famous stories, of M. R. James, Katherine Mansfield and Joyce''s Dubliners. Some of the greatest writers of the period - particularly Conrad and James - found that the effort that went into their shorter works was more rewarded during their lifetimes than their now famous novels. Writers such as Mansfield, Chesterton, Beerbohm, Lawrence and Saki produced some of their greatest work.Short stories also provided a brilliant medium for experiment, and this generous and endlessly entertaining anthology includes fascinating examples of writers as varied as Rebecca West, James Joyce, H.G. Wells and Wyndham Lewis experimenting with what it was acceptable to write and how you could write it.>
For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained.
The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.
Truman Capote makes whiskey-soaked fruitcake in Alabama; Laurie Lee slides across a frozen pond in Gloucestershire; and Shirley Jackson is outwitted by a wily Santa Claus at the bank. Ghosts haunt the Christmases of Muriel Spark and Elizabeth Bowen, while Dostoyevsky, Daphne du Maurier and Italo Calvino take a cynical view of the season and Selma Lagerlof and Angela Carter celebrate its miracles. Ranging from Cork to Lagos to the Wild West, and from Paris to San Paolo to outer space, this is Christmas as imagined by some of the greatest short story writers of all time.
